A PHANTOM GENRE: THE STRANGE CASE OF THE TECHNOTHRILLER

The one who should be writing this post today is my PhD student Pascal Lemaire since he has chosen to deal with the technothriller as his topic of research. However, I am myself curious about some of the points he is raising about this genre, so here I am. Back in 2014 Pascal published in […]

ON BULLIES, TYRANTS, AND THEIR SENSE OF ENTITLEMENT: STOP THEM NOW

As I write, the Russian nuclear armament is ready to strike anywhere in, probably, the whole world and both the media and the social media are debating whether Russian President Vladimir Putin might eventually order a strike, and against whom. To the world’s amazement, the Ukrainians are still resisting and Kyiv has not fallen down […]

SONGS OF EMPOWERMENT: WOMEN IN 21ST CENTURY POPULAR MUSIC

First, a note. This is the first post I publish on the date it has been written after four months of silence, caused by the cyberattack that affected the Universitat Autònoma de Barcelona on 11 October 2021 (the blog is hosted by UAB). I was confident that the texts were not lost, as I keep […]

IS SCIENCE FICTION RESPONSIBLE FOR IMAGINING THE FUTURE? POSSIBLY…

I’ve been attending these days in fits and starts the Science Fiction Research Association’s international conference, conditioned by the six-hour difference with Toronto, where the hosting institution (Seneca College) is located. Fifteen months into the pandemic I needn’t say how impossible it is to listen to anybody speak on Zoom, or similar, without either multitasking […]

VIRGINIA AND NELLIE: THE WOMAN WITH NO ROOM OF HER OWN

This past Sant Jordi I was given as a present Alicia Giménez Bartlett’s Una habitación ajena (A Room not of One’s Own), originally issued in 1997 and now re-issued in a new, revised edition published to coincide with the 80th anniversary of Virginia Woolf’s death in 1941 (she was born in 1882). Bartlett’s title alludes, […]

SHAME OF THE NATION: ON WATCHING EL SILENCIO DE OTROS

It is habitual in scholarly work that a text illuminates another text quite by chance, in that phenomenon usually called serendipity. Reading the second edition of Sarah Ahmed’s The Cultural Politics of Emotion (2004, 2014) to fill in a serious gap in my list of books read, I have found myself considering in the light […]