Today, I’m commenting on Alison Gibbons’ article in the Times Literary Supplement, “Postmodernism is dead. What comes next?” (12 June 2017, http://www.the-tls.co.uk/articles/public/postmodernism-dead-comes-next/?CMP=Sprkr-_-Editorial-_-TimesLiterarySupplement-_-ArtsandCulture-_-JustTextandlink-_-Statement-_-Unspecified-_-FBPAGE). There are many important questions about Postmodernism which nobody seems to agree on: 1) when did it begin: was it 1960s, 1980s, later even?; 2) is it already dead?; 3) when did Postmodernism […]
I am currently in the middle of my reading project for this year (see my post of 4 January): going through the 46 novels which comprise Benito Pérez Galdós’ series, Episodios Nacionales (1872-1912). To be specific the Episodios consist of four complete series of 10 novels, and one incomplete series of 6. I’m finishing today […]
Sin noticias de Gurb (1990, English translation No Word from Gurb [2007]), is a short novel by Eduardo Mendoza (b. 1943, Barcelona; Premio Cervantes 2016), which was originally serialised in El País, back in 1989. It belongs to the science-fiction subgenre of the ‘stranded alien tale’, popularized, above all, by Steven Spielberg’s family film E.T. […]
Last week I attended a talk by Lynne Segal (https://en.wikipedia.org/wiki/Lynne_Segal), a feminist academic and activist, born in Australia but based in the United Kingdom. I first heard about Segal because of her excellent book Slow Motion: Changing Masculinities, Changing Men; since then I have also read by her one of the very few outstanding books […]
As consumers of cultural products we seem to take for granted that texts are, somehow, automatically saved for survival and that any new generation has access to all of them. This is, of course, naïve, misguided and plain wrong. In the case of popular texts (and I mean here generally of all kinds beyond the […]
The fiasco following Warren Beatty’s absurd proclamation of La La Land as this year’s Oscar winner instead of Moonlight (despite realizing that he had the wrong envelope in his hands) has already been commented on to exhaustion. I’m really sorry for the public humiliation that the producers of La La Land endured; yet, at the […]
Although this is a short volume, it has taken me a while to read David E. Cooper’s A Philosophy of Gardens (2006), which my philosopher friend Marta Tafalla recommended to me. I had assumed that reading post-structuralist criticism had prepared me to deal with most kinds of abstract thinking in the Humanities. I was wrong. […]
An important function of film adaptations is calling the attention of potential readers to works they would have missed otherwise. I am one of the many readers who became familiarized with the world of the Aubrey-Maturin series by English writer Patrick O’Brian thanks to Peter Weir’s excellent film Master and Commander: The Far Side of […]
I have read with great pleasure Xavier Aldana Reyes’s new volume, Horror Film and Affect: Towards a Corporeal Model of Viewership (Routledge). I’m very proud to see how he is fast progressing into being a truly first-rank academic, as it is always delightful for a teacher to see how someone who used to sit in […]
I assumed that there would be already a handful of academic articles on Gillian Flynn’s 2012 best-selling novel Gone Girl, adapted for the screen by David Fincher in 2014 from a script by the author herself. Not at all. My university’s meta-searcher, Trobador, has returned 712 results, only 2 of which appear in the MLA […]