TIGER KING, WHAT ELSE?: THE VIEW INSIDE AND OUTSIDE AMERICA

As I have mentioned in my previous posts, I’m currently teaching an elective third/fourth year course on Cultural Studies, taking as case study the representation of the United States in 21st century documentary films (see one of the volumes that has inspired me, Jeffrey Geiger’s American Documentary Film: Projecting the Nation, Edinburgh UP (2013), here: […]

AS WE DEAL WITH THE ALIEN INVASION: GREAT PRE-21ST CENTURY DOCUMENTARIES TO ENJOY DURING QUARANTINE (1966- 1996)

Second week of confinement, already. The situation as a friend tells me, feels surreal. Here we are working a long day at home as we often do, which feels completely normal. Then we sign off our virtual world and the real world punches us in the face with enormous figures for casualties, reports on overcrowded […]

MARY SHELLEY’S (HIDEOUS) FILM PROGENY: A LEGACY IN NEED OF RENOVATION

Last week I skipped my weekly appointment because I was extremely busy finishing the edition of my latest e-book project with students. Here it is, finally!: Frankenstein’s Film Legacy (https://ddd.uab.cat/record/215815). Since 2013-14, when I taught a monographic course on Harry Potter, I have been developing a series of projects with undergrad and postgrad students, consisting […]

LIKE WRITING A MUSICAL SCORE: THE UNACKNOWLEDGED TASK OF THE SCREENWRITER

I came across the name Lola Salvador Maldonado in a recent episode of Días de Cine, the weekly report on cinema that TVE maintains since 1991 on La2 (http://www.rtve.es/television/dias-cine/). The occasion was her 81st birthday and the celebration of her extensive career in Spanish cinema, for which she was awarded the Premio Nacional de Cinematografía […]