READING AND SEEING, SEEING AND READING: A NOTE ON DOCUMENTARIES

I love documentaries. Not nature documentaries, whether they are of the cute, cheesy variety or of the ultra realistic kind –which, for some reason or other, always include grisly scenes of bigger animals killing smaller animals. I mean culture documentary films. My second dream job after university teacher, is ‘documentary film maker’. (Actually this is […]

A PERPLEXING HEROINE: MAYA IN KATHRYN BIGELOW’S ZERO DARK THIRTY

I’m a big Kathryn Bigelow fan, which means that my personal impression about the very high quality of her newest film, Zero Dark Thirty, is totally unreliable. I don’t wish to review it formally here but I’ll say that it’s 160 minutes are thrilling, even though every one knows how they end. Bigelow’s film is […]

WHATEVER HAPPENED TO FEMINIST CINEMA? (ON BIGELOW AND BIER)

I’m reading Teresa De Lauretis already ancient collection Technologies of Gender (1987!) and I stumble onto her post-Mulvey cry for a truly feminist cinema. By this she means, as it is well-known, not just a cinema by, about and for women, dealing with issues concerning women, but a cinema using specifically female narrative and aesthetic […]