I’m a big Kathryn Bigelow fan, which means that my personal impression about the very high quality of her newest film, Zero Dark Thirty, is totally unreliable. I don’t wish to review it formally here but I’ll say that it’s 160 minutes are thrilling, even though every one knows how they end. Bigelow’s film is […]
I’m reading Teresa De Lauretis already ancient collection Technologies of Gender (1987!) and I stumble onto her post-Mulvey cry for a truly feminist cinema. By this she means, as it is well-known, not just a cinema by, about and for women, dealing with issues concerning women, but a cinema using specifically female narrative and aesthetic […]