The Posthuman Patriarchal Villain as Absolute Future Threat: Winston Duarte (and the hero James Holden) in The Expanse novel series

SPOILERS WARNING: This post deals with the nine Expanse novels and discusses the series’ ending. The Expanse is a series of nine space opera novels—Leviathan Wakes (2011), Caliban’s War (2012), Abaddon’s Gate (2013), Cibola Burn (2014), Nemesis Games (2015), Babylon’s Ashes (2016), Persepolis Rising (2017), Tiamat’s Wrath (2019) and Leviathan Falls (2021)—accompanied by a short […]

THE UNPROFESSIONALIZATION OF WRITING: DWINDLING EARNINGS AND THE FUTURE OF AUTHORS

When I started thinking about today’s post, I had a certain feeling of déjà vu. Checking previous posts I found one of January 2014 titled “Underpaid and Overrated Authors: Hierarchical Reading in the Age of Globalization” in which I discussed an article published in The Guardian according to which, as the title reads, “Most writers […]

ON THE USE OF SECONDARY SOURCES IN LITERARY RESEARCH: HOW FAR BACK CAN WE GO?

When I introduce second-year students to the basics of writing academic papers and they submit their first paper proposal (title, 100-abstract, 3-item valid academic bibliography) I warn them to use only post-1995 bibliography (perhaps I should update that to 21st century bibliography?). As I explain, even though in the paper they can use older sources, […]

READING A LONG NOVEL SERIES (FOR ACADEMIC PURPOSES): THE EXPANSE

I’m returning to James S.A. Corey’s The Expanse, which I discussed two posts ago, this time to reflect on the strategies required to face such a long read for academic purposes.             Whereas mainstream and literary novels are usually published as stand-alone volumes, series abound in genre fiction. They are sometimes bound by the presence […]