HEGEMONIC MASCULINITY AND PATRIARCHY: CONSENT AND COERCION, OR STELLA AND BLANCHE IN A STREETCAR NAMED DESIRE

[SPOILERS AHEAD] I am going back to the discussion of hegemonic masculinity on which I focused my last post, this time in connection to Tennessee Williams’s popular play A Streetcar Named Desire (1947), a Pulitzer-Award winner. The 2014 production by the Young Vic and Joshua Andrew, directed by Benedict Andrews, has been available online since […]