• 2024: Pividori, Cristina, and David Owen, Eds. (Re)Writing War in Contemporary Literature and Culture: Beyond Postmemory (Routledge, forthcoming). 
  • Pividori, Cristina.“Before the outbreak of what used to be known as the Great War:” ‘Ironic Nostalgia’ in Isabel Colegate’s The Shooting Party (1980)” in (Re)Writing War in Contemporary Literature and Culture: Beyond Postmemory (Routledge, forthcoming).
  • 2022: Pividori, Cristina, and Andrea Bellot. “Crossing Representational Borders in Lola Arias’ Minefield/Campo Minado” Text and Performance. 42.3: 1-26.
  • 2021: Owen, David and Pividori, Cristina (Eds.). The Spectre of Defeat: Experience, Memory and Post-Memory. Cambridge Scholars Publication, Newcastle-upon-Tyne, UK. ISBN: 1-5275-6355-3; ISBN13: 978-1-5275-6355-1. (Introduction; editorial matter. 2021).
  • 2021: Owen, David. “John Wyndham and His 1950s Apocalyptic Novels: Bad News for the Hoi Polloi”. In Owen, David and Pividori, Cristina (Eds.), The Spectre of Defeat: Experience, Memory and Post-Memory. Cambridge Scholars Publication, Newcastle-upon-Tyne, UK. (2021).
  • Pividori, Cristina. “Remembering Victory or Commemorating Defeat? Ivor Gurney’s Warring Memories” The Spectre of Defeat: Experience, Memory and Post-Memory. Newcastle-upon-Tyne: Cambridge Scholars Publishing: 64-81.
  • Pividori, Cristina. “Silence, Guilt and Insidious Trauma in Auden’s Early Poems.” Journal of Juvenilia Studies. 4.1: 74-96. 
  • 2018: Pividori, Cristina. “‘Prefer not, eh?’: Re-Scribing the Lives of the Great War Poets in Contemporary British Historical Fiction” Special Issue of Revista Alicantina de Estudios Ingleses:“Reading World War I Literature 100 Years After” Revista Alicantina de EstudiosIngleses. (31): 125-147.
  • 2016: Owen, David and Pividori, Cristina (Eds.). Writings of Persuasion and Dissonance in the Great War: That Better Whiles May Follow Worse. Brill-Rodopi, Amsterdam, The Netherlands. ISBN 978-90-04-31491-7; ISSN 0921-2507. (Introduction; all editorial matter. 2016).
  • Owen, David. “Conscripting Gentle Jane: Getting the ‘Austen Treatment’ in the Great War” in Owen, David and Pividori, Cristina (Eds.), Writings of Persuasion and Dissonance in the Great War: That Better Whiles May Follow Worse. Brill-Rodopi, Amsterdam, The Netherlands. ISBN 978-90-04-31491-7; ISSN 0921-2507 (2016)
  • Pividori, Cristina. “Ford Madox Ford’s Impressionistic Memories: The Crisis of the Witness in Parade’s End.” Writings of Persuasion and Dissonance in the Great WarThat Better Whiles May Follow Worse. The Netherlands: Brill: 106-122.
  • Pividori, Cristina. “Searching for the Happy Battalion in Times of Crisis: Fraternal Friendships and the Heroic in the Great War Memoirs of Guy Chapman and Charles Carrington.” War, Literature & the Arts 28: 1-20.
  • 2014: Pividori, Cristina. “Of Heroes, Ghosts and Witnesses: The Construction of Masculine Identity in the War Poets’ Narratives.” Journal of War and Culture Studies. 7.2: 162-178.
  • Pividori, Cristina. “Resisting the Hero’s Tale: The Trope of the Cowardly Soldier in the Literature of the Great War” Nordic Journal of English Studies (NJES) 13(4):111-131.
  • 2012: Pividori, Cristina, and Andrew Monnickendam. “War Heroes and Pacifists on the Same Front: Re-reading Heroism in Two Imperial War Memoirs.” Revista Alicantina de Estudios Ingleses 25: 351-373.
  • 2010: Pividori, Cristina. “Eros and Thanatos Revisited: The Poetics of Trauma in Rebecca West’s The Return of the Soldier” Atlantis 32.2: 89-104.
  • 2009: Pividori, Cristina, and Andrew Monnickendam. “The Soldier as Good Samaritan: Bonding with the Enemy in John Pearman’s The Radical Soldier’s Tale.” Journal of War and Culture Studies 2.2: 105-119.
  • 2008: Pividori, Cristina. “Heroic or Crippled? The Male Body in two War Memoirs.” A Body That Could NeverRest: Relaciones entre cuerpo y cultura en las tradiciones anglófonas. Ed. Chávez, Félix Ernesto and Diego Falconi. Barcelona: Ediciones UOC: 21-26. 
  • Pividori, Cristina. “Out of the Dark Room: Photography and Memory in Rachel Seiffert’s Holocaust Tales.” Atlantis 30.2: 79-94.