DRIFTING APART?: LINGUISTICS, LITERARY STUDIES AND ENGLISH PHILOLOGY

Two weeks ago I gave the inaugural lecture for the four-year BA in English Studies at the Universidad de Murcia. Actually, my lecture was intended to represent the Literature and Culture segment of the degree, and a colleague from the Universidad de Zaragoza, Dr. Iraide Ibarretxe Antuñano, offered a second inaugural lecture on Linguistics. She […]

46 VOLUMES, 200 HOURS: BENITO PÉREZ GALDÓS’ EPISODIOS NACIONALES

I have now completed the project of reading Benito Pérez Galdós’ five series of novels generically known as the Episodios nacionales (1872-1912), which I started back in January 2017. I could have finished earlier but I have delayed reading the last series about half a year because I wanted to keep attached to Galdós’ lucid […]

DEATH OF THE NOVEL, DEATH OF THE READER: A DEBATE (WITH AIs)

This post is inspired by two articles about novelists considering whether the novel is in its dying throes. The interview by Vicent Bosch of Guillem López (Castelló, 1975) for JotDown bears the heading “No creo que la novela sobreviva medio siglo” (https://www.jotdown.es/2018/06/guillem-lopez-no-creo-que-la-novela-sobreviva-medio-siglo-la-literatura-si-pero-sera-otra-cosa-tal-vez-un-videojuego/). The Guardian’s article about the BBC Radio 3’s Free Thinking talk by novelist […]

ANATOMY OF THE BOND GIRL: THE CASE OF SOLITAIRE

In one of those bouts of curiosity that may overpower even the most cautious reader, I have gone through the twelve James Bond novels by Ian Fleming (there are two more books, with short fiction, and other novels by living authors). I am by no means a Bond fan but, like many others who don’t […]

AN UNSOLVED PROBLEM: ZYGMUNT BAUMAN’S MODERNITY AND THE HOLOCAUST

The saddest paper I have ever written is “De la Primera Guerra Mundial al Holocausto: El uso de la tecnología en la destrucción en masa del cuerpo humano” (see http://gent.uab.cat/saramartinalegre/sites/gent.uab.cat.saramartinalegre/files/Primera%20Guerra%20Mundial%20Holocausto%20Sara%20Mart%C3%ADn.pdf). I’m thinking again of that paper after re-reading Zygmunt Bauman’s impressive Modernity and the Holocaust (1989). Also, because I see all over 21st century Europe […]

IT COULD HAPPEN ANYWHERE: SINCLAIR LEWIS, THE RISE OF FASCISM (AND KENNETH JOHNSON’S LIZARDS)

I recently downloaded Sinclair Lewis’ novel It Can’t Happen Here (1935, see https://en.wikipedia.org/wiki/It_Can’t_Happen_Here) by mistake, believing it was the source for the delicious Frank Capra comedy film You Can’t Take it with You (1938, https://en.wikipedia.org/wiki/You_Can’t_Take_It_with_You_(film)). Any fool can see that the titles are very different but, well, mistakes do happen… I had read another novel […]

JEDIS AND TEMPLARS: TRYING TO UNDERSTAND OBI-WAN KENOBI

I am using this first post of the new academic year to process ideas I’m considering for my plenary talk on Obi-Wan Kenobi, to be given at the conference on ‘Star Wars and Ideology’ (April 2018, Universidad Complutense in Madrid, http://eventos.ucm.es/10096/detail/congreso-internacional_-star-wars-e-ideologia.html). I asked specifically to focus on Kenobi because there is one image in Lucas’s […]

POSTMODERNISM IS DEAD, LONG LIVE POSTMODERNISM: SEEKING A NEW LABEL FOR THE NEW TIMES

Today, I’m commenting on Alison Gibbons’ article in the Times Literary Supplement, “Postmodernism is dead. What comes next?” (12 June 2017, http://www.the-tls.co.uk/articles/public/postmodernism-dead-comes-next/?CMP=Sprkr-_-Editorial-_-TimesLiterarySupplement-_-ArtsandCulture-_-JustTextandlink-_-Statement-_-Unspecified-_-FBPAGE). There are many important questions about Postmodernism which nobody seems to agree on: 1) when did it begin: was it 1960s, 1980s, later even?; 2) is it already dead?; 3) when did Postmodernism […]

BLURRED LINES: TRYING TO UNDERSTAND THE WRITERS OF THE PAST

No, sorry, this is not a post about Robin Thicke’s catchy, appallingly sexist 2013 hit, which, by the way, turned out to be plagiarised (from a Marvin Gaye song). No: today I’m dealing with our difficulties to produce a clearly defined portrait of the writers of the pre-media past. By pre-media I mean the historical […]

BRIDGING GAPS (AND FEELING SPLIT) BETWEEN DIFFERENT CULTURES

I am currently in the middle of my reading project for this year (see my post of 4 January): going through the 46 novels which comprise Benito Pérez Galdós’ series, Episodios Nacionales (1872-1912). To be specific the Episodios consist of four complete series of 10 novels, and one incomplete series of 6. I’m finishing today […]