THAT BAD WITCH: BELLATRIX BLACK LESTRANGE

Continuing with the topic of my previous post, and because I have been preparing a talk about her, I’d like to focus here on a truly bad witch: Bellatrix Black Lestrange. Bellatrix has been the object of a few scholarly publications, none devoted to her alone (all to be found on Google Scholar; the MLA […]

LA MALA BRUJA: BELLATRIX BLACK LESTRANGE

Continuando con el tema de mi post anterior, y porque he estado preparando una charla sobre ella, me gustaría centrarme aquí en una bruja verdaderamente mala: Bellatrix Black Lestrange. Bellatrix ha sido objeto de algunos trabajos académicos, ninguno dedicado solo a ella (todos visibles en Google Scholar; la base de datos MLA no lleva nada […]

MEROPE GAUNT, VOLDEMORT’S MOTHER: NARRATIVE AS A HOUSE OF CARDS

The first novel about Harry Potter by J.K. Rowling, Harry Potter and the Philosopher’s Stone, was published by Bloomsbury on 26 June 1997, already 25 years ago today. This post looks back to that date, to celebrate it, and forward to next November, when Barcelona’s Witch Market will finally return and all of us, local […]

THE RISK OF ERASING AUTHORSHIP: THE STRANGE CASE OF J.K. ROWLING

NOTE: This post was originally written on 10 January 2022, but it’s published now because of the cyberattack that UAB suffered then and that caused the temporary suspension of this blog The streaming on New Year’s Day of the show Harry Potter 20th Anniversary: Return to Hogwarts (HBO Max) may have brought back many sweet […]

HOW ENTITLEMENT AND VILLAINY CONNECT (AS I EXPLAIN IN MASCULINITY AND PATRIARCHAL VILLAINY: FROM HITLER TO VOLDEMORT)

I have been delaying this post in the hopes that some of our local Spanish universities would have bought by now the monograph I published back in November 2019, Masculinity and Patriarchal Villainy: From Hitler to Voldemort (Routledge, https://www.routledge.com/Masculinity-and-Patriarchal-Villainy-in-the-British-Novel-From-Hitler/Martin/p/book/9780367441463). This has not happened yet, though you can check here where the volume is available near […]

WHAT AN UGLY IMAGINATION IS ABOUT (TRYING TO MAKE SENSE OF MY OWN IDEAS)

I am currently a member of the Ministry-funded research project led by Dr. Helena González of the University of Barcelona, Parias y tránsfugas modernas: género y exclusión en la cultura popular del s.XXI (http://www.ub.edu/adhuc/es/proyectos-investigacion/transfugas-y-parias-modernas-genero-y-exclusion-cultura-popular-del-s-xxi). We had a seminar last week, which opened with my presentation of six characters that, in my view, are either outcasts […]

IN MIDDLE-EARTH AGAIN: TOLKIEN (AND WILLIAM MORRIS)

I’m re-reading again The Lord of the Rings these days, for the third time. J.R.R. Tolkien (1892-1973) is not one of my great passions as a reader or researcher but I acknowledge the immense importance that he has as a major contributor to English Literature, and not just to fantasy. What he offers in his […]

FANDOM AND ACADEMIA: CRITERIA TO DISCUSS TEXTS

Even though it is already four years since I taught my monographic course on the Harry Potter series, Rowling still features prominently in my academic activities. This time I was invited to the ‘Semana Harry Potter’ organized by the undergrad students of the Facultad de Ciencias de la Comunicación of the Universidad de Sevilla. The […]

DOUBLE NOSTALGIA AND CLASS MATTERS: 1930s FICTION ON 1980s TV (THE BOX OF DELIGHTS)

A couple of months ago I came across a blog post on a book for children which apparently connects with Harry Potter, as a possible predecessor. This is John Masefield’s 1935 novel The Box of Delights (see https://www.theguardian.com/books/booksblog/2017/nov/30/long-before-harry-potter-the-box-of-delights-remade-childrens-fantasy). I had heard, vaguely, of Masefield (1878-1967) as a distinguished poet (he was appointed Poet Laureate in […]

SECONDARY CHARACTERS: TIME TO END OUR NEGLECT

These days my students smile the moment the phrase ‘secondary character’ comes our of my lips, as they have heard me say already many times that we have neglected them woefully. They smile as a polite way to tell me that I need to be more persuasive, for everyone knows that the main characters are […]