REGARDING THE PROBLEM OF LABELS: (BIOLOGICAL) POST-HUMANISM VS. (CRITICAL) POST-HUMANISM

In my post of 6 May on the question of the post-human in relation to Frankenstein, I announced that my ranting would eventually continue, so here we go. Mónica Calvo and Sonia Baelo, members of the research project “Trauma, Culture and Posthumanity: the Definition of Being in Contemporary North-American Fiction”, of the Universidad de Zaragoza, […]

IN THE MONSTER’S OWN WORDS: GETTING TO KNOW FRANKENSTEIN’S NEW MAN

I was interviewed last week on a Catalan-language radio show on monsters (“AutoCine: Els Monstres”, Cerdanyola Ràdio, https://www.ivoox.com/autocine-els-monstres-audios-mp3_rf_35501071_1.html ). The presenter’s last question was ‘which famous monster is most imperfectly known?’ and I had to reply that this is Frankenstein’s creature. Unfortunately, the movies have transmitted a very limited image of this monster, based on […]

VICTOR FRANKENSTEIN’S MAN AND THE (VEXED) QUESTION OF THE POST-HUMAN

These days I’m teaching Frankenstein (1818, 1831) and writing about one of its thousands of descendants, Richard K. Morgan’s Thin Air (2018). As science and technology advance and speculative fiction gets closer to everyday life (or perhaps the other way around), writers imagine creatures that would have baffled Mary Shelley. The newer creations are some […]

JOHN KEATS: HERITAGE, LEGACY, AND BOHEMIAN POVERTY

Obsessing about how each of the great six male Romantic poets made a living is not the most orthodox way to approach them. It is now John Keats’s turn and, once more, this is, I think, a very relevant issue. I’ll begin, then, by mentioning Keats’s guardian Richard Abbey, the man who put in charge […]

REVISITING FRANKENSTEIN: A FEW NOTES ON DOMESTICITY, THE CYBORG AND THE POST-HUMAN

I will soon start teaching Mary Shelley’s Frankenstein and although the best time to revisit this classic was last year–the bicentennial anniversary of its original publication–2019 is also a good moment to re-read it, for it is the year when Ridley Scott set his masterpiece, Blade Runner (1982). Both novel and film are closely connected, […]

ROBOSEXUALITY: BETWEEN SCIENCE FICTION AND REALITY

[This is a sort of preview of the talks I’m supposed to give on 2nd October at the conference of the International Robotics Association and on 24th November at CatCon II. Same topic, different languages.] My good friend Prof. Carme Torras has kindly invited me to be part of a forum connecting the Humanities and […]

THE IDEA AND THE EFFECT: NOSTALGIA FOR THE 1980s (IN READY PLAYER ONE AND STRANGER THINGS)

I have just gone through the second season of the acclaimed series Netflix Stranger Things (https://www.imdb.com/title/tt4574334/) and I’m currently reading Ernest Cline’s SF novel Ready Player One (2011, https://en.wikipedia.org/wiki/Ready_Player_One), the object of a recent film adaptation directed by Steven Spielberg and scripted by Cline himself. This is the second time I try to read Cline’s […]

MORE ON ARTIFICIAL INTELLIGENCE: ANN LECKIE’S ANCILLARY JUSTICE TRILOGY AND MARJORIE PRIME

Barcelona hosts this week the Mobile World Congress, which means that news about technology will dominate the media for a few days (leaving absurd politics aside). For the last two years, the congress has been preceded by the Mobile Week BCN (http://mobileweekbcn.com/es/), which has presented a dense programme of events (talks, workshops, performances, etc)… in […]

THINKING OF MARY SHELLEY AND FRANKENSTEIN: MAKING HUMANS

In one of the most eccentric episodes of The X-Files, “Post-modern Prometheus” (5×06), Mulder and Scully visit Dr. Polidori, a geneticist working at his own home lab in a rural location in the heart of the United States. The two FBI agents are investigating a series of attacks against women who have been drugged, raped […]