2020
Serrano-Muñoz, Jordi. “Who Fears the Waking Red: Review of Revolution Goes East by Tatiana Linkhoeva,” Revista Paz y Conflictos vol 13, no 1, (2020): 309-315.
2019
Loriguillo-López, Antonio. “Osamu Tezuka, el Dios del Manga – Exhibition at the Museu Nacional d’Art de Catalunya“, Mutual Images: A Transcultural Research Journal, no. 7 (2019): 57-61.
2018
Centeno Martín, Marcos P. “Interrogating Forms of Dissidence. An Approach to Physical and Mental Escapes from Japan” review of Blai Guarné and Paul Hansen (eds.) Escaping Japan: Reflections on Estrangement and Exile in the Twenty-First Century, London; New York: Routledge, Taylor and Francis”, EJCJS (Electronic Journal of Contemporary Japanese Studies), 16 , Volume 18, Issue 3 (December 2018). Online.
Centeno Martín, Marcos P. Torres Hortelano, Lorenzo J. (ed.) Dialectics of the Goddess in Japanese Audiovisual Culture. Lanham, Maryland: Lexington Books, 2018, 161 pages, Asian Cinema, issue 30:1 (2018): 149-154.
Rodríguez Navarro, M. Teresa. “The Diversity of Translation Communities in Contemporary Japan”. Nana Sato et al Eds.´s Routledge, 2015, Nihon kenkyû, IRCJS press, Special issue 2, nº 54, (September 2018).
2016
Centeno Martín, Marcos P. “Kore-eda’s Our Little Sister: a Return to the Japanese Classicism” in Film Criticism, Vol. 40, Issue 3, 2016.
2015
Centeno Martín, Marcos P. “Anime, Religion and Spirituality: Profane and Sacred Worlds in Contemporary Japan. By Katharine Buljan and Carole M. Cusack. Equinox, 2015” in Journal of the American Academy of Religion (JAAR), 2015.
Serra-Vilella, Alba. “Abrams, Sam (et al.); Mas López, Jordi (ed.). L’haiku en llengua catalana. Santa Coloma de Queralt: Obrador Edèndum, 2014, 200 p. ISBN 978-84-939169-9-2”. Quaderns. Revista de traducció, 22 (2015): 415-416.